{"id":1293,"date":"2018-10-30T11:51:07","date_gmt":"2018-10-30T10:51:07","guid":{"rendered":"http:\/\/soundundvision.org\/?p=1293"},"modified":"2021-05-27T08:02:20","modified_gmt":"2021-05-27T06:02:20","slug":"interview-mit-joep-beving-reeperbahn-festival","status":"publish","type":"post","link":"https:\/\/soundundvision.org\/?p=1293","title":{"rendered":"Interview mit Joep Beving"},"content":{"rendered":"<p><span style=\"font-family: Arial, sans-serif;\"><span style=\"font-size: large;\">Der niederl\u00e4ndische Komponist und Pianist <a href=\"http:\/\/joepbeving.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Joep Beving<\/a> begann seine Karriere Anfang der 2000er Jahre als Musiker im Bereich elektronische Musik, New Jazz, Funk und Hip-Hop. Danach hat er lange Zeit hinter den Kulissen der Musikindustrie gearbeitet, bevor er 2015 mit reiner Klaviermusik wieder zur\u00fcckgekehrt ist. Seine St\u00fccke wurden als Streams millionenfach geklickt und machten sein erstes Soloalbum \u201eSolipsism\u201c zu einem \u00dcberraschungserfolg der aktuellen klassischen Musik, zu der auch Komponisten wie Max Richter und Nils Frahm z\u00e4hlen. <\/span><\/span><\/p>\n<p><span style=\"font-family: Arial, sans-serif;\"><span style=\"font-size: large;\">Der Nachfolger \u201ePrehension\u201c erschien 2017 dann schon bei der renommierten <a href=\"https:\/\/www.deutschegrammophon.com\/de\/\" target=\"_blank\" rel=\"noopener noreferrer\">Deutschen Grammophon<\/a> und es folgten Konzerte in gr\u00f6\u00dferen Hallen und bei Festivals wie dem amerikanischen Burning Man bis hin zu einem Auftritt in der <a href=\"https:\/\/www.elbphilharmonie.de\/de\/\" target=\"_blank\" rel=\"noopener noreferrer\">Hamburger Elbphilharmonie<\/a>.<\/span><\/span><\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-1293-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/soundundvision.org\/wp-content\/uploads\/2018\/10\/Joep-Beving-Interview-Reeperbahn-Festival-20.09.2018_web.mp3?_=1\" \/><a href=\"http:\/\/soundundvision.org\/wp-content\/uploads\/2018\/10\/Joep-Beving-Interview-Reeperbahn-Festival-20.09.2018_web.mp3\">http:\/\/soundundvision.org\/wp-content\/uploads\/2018\/10\/Joep-Beving-Interview-Reeperbahn-Festival-20.09.2018_web.mp3<\/a><\/audio>\n<p><span style=\"font-family: Arial, sans-serif;\"><span style=\"font-size: large;\"><i>Joep Beving &#8211; Interview &#8211; Reeperbahn Festival \u2013 20.09.2018<\/i><\/span><\/span><\/p>\n<p><span style=\"font-family: Arial, sans-serif;\"><span style=\"font-size: large;\">Joep Bevings neuestes Album \u201eConatus\u201c ist am 27. September auf Deutsche Grammophon erschienen. Das Interview mit ihm habe ich beim <a href=\"https:\/\/dutch-impact.nl\/\" target=\"_blank\" rel=\"noopener noreferrer\">Dutch Impact<\/a> im <a href=\"https:\/\/molotowclub.com\/programm\/programm.php\" target=\"_blank\" rel=\"noopener noreferrer\">Molotow<\/a> gef\u00fchrt, einer Veranstaltung die beim <a href=\"https:\/\/www.reeperbahnfestival.com\/de\/\" target=\"_blank\" rel=\"noopener noreferrer\">Reeperbahn Festival<\/a> jedes Jahr aktuelle Pop- und Indierockmusik aus den Niederlanden pr\u00e4sentiert.<\/span><\/span><\/p>\n<p><a href=\"http:\/\/soundundvision.org\/wp-content\/uploads\/2018\/10\/Joep-Beving-Live-20.09.2018.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-1283\" src=\"http:\/\/soundundvision.org\/wp-content\/uploads\/2018\/10\/Joep-Beving-Live-20.09.2018-300x225.jpg\" alt=\"\" width=\"300\" height=\"225\" srcset=\"https:\/\/soundundvision.org\/wp-content\/uploads\/2018\/10\/Joep-Beving-Live-20.09.2018-300x225.jpg 300w, https:\/\/soundundvision.org\/wp-content\/uploads\/2018\/10\/Joep-Beving-Live-20.09.2018-768x576.jpg 768w, https:\/\/soundundvision.org\/wp-content\/uploads\/2018\/10\/Joep-Beving-Live-20.09.2018.jpg 1000w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p><em>(Joep Beving live &#8211; Molotow &#8211; Reeperbahn Festival &#8211; 20.09.2018)<\/em><\/p>\n<p><iframe loading=\"lazy\" title=\"Joep Beving - Hanging D (Official Video)\" width=\"860\" height=\"484\" src=\"https:\/\/www.youtube.com\/embed\/VHJzRSICfj4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<p><iframe loading=\"lazy\" title=\"Joep Beving - The Light She Brings (Official Video)\" width=\"860\" height=\"484\" src=\"https:\/\/www.youtube.com\/embed\/-chZu7V3NTM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<p><iframe loading=\"lazy\" title=\"Joep Beving - Prehension (A Film)\" width=\"860\" height=\"484\" src=\"https:\/\/www.youtube.com\/embed\/Tuh4_h93DZk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Der niederl\u00e4ndische Komponist und Pianist Joep Beving begann seine Karriere Anfang der 2000er Jahre als Musiker im Bereich elektronische Musik, New Jazz, Funk und Hip-Hop. [&#8230;]<\/p>\n","protected":false},"author":1,"featured_media":1282,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4,204],"tags":[194,69,190,188],"class_list":["post-1293","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interviews","category-reeperbahn-festival","tag-dutch-impact","tag-hamburg","tag-joep-beving","tag-reeperbahn-festival"],"_links":{"self":[{"href":"https:\/\/soundundvision.org\/index.php?rest_route=\/wp\/v2\/posts\/1293","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/soundundvision.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/soundundvision.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/soundundvision.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/soundundvision.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1293"}],"version-history":[{"count":0,"href":"https:\/\/soundundvision.org\/index.php?rest_route=\/wp\/v2\/posts\/1293\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/soundundvision.org\/index.php?rest_route=\/wp\/v2\/media\/1282"}],"wp:attachment":[{"href":"https:\/\/soundundvision.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1293"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/soundundvision.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1293"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/soundundvision.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1293"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}